Blues backing track in e7/24/2023 ![]() In the key of C, for instance, the standard chords being used are: That is because you can randomly choose three different notes from a scale and you will get a triad. Scales and chordsĪs soon as you know a certain major scale, you can easier grasp the chords in the same key. This is because the notes below the diagrams are foremost thought to be easy to understand. Also, the notes in the diagrams and the notes in the overview below sometimes differ. F#) that can look peculiar, see theory for an explanation. In some cases, there are double-sharps (e.g. As an example, C#, D#, E#, F#, G#, A#, B#, C# and Db, Eb, F, Gb, Ab, Bb, C, Db (as in C# / Db scales) are the same notes but partly written differently. The notes are, however, the same on the keyboard. C# and Db), because they can be played in two different keys. Some of the scales have two names divided by a slash (e.g. The nature of the intervals labels the Major Scale as a diatonic scale. This helps you a lot until you have memorized all the scales and vice versa: you don’t need to memorize them if you know the intervals. These are always the same for scales in a specific category. The intervals and steps are important to learn. The Major scales in graphic compilation are available in the member area.Ī collection of keyboard charts can be downloaded as a PDF-file. ![]() In the end, you will start to hear when the chords are changing and in the next phase also which chords.This hi-res digital poster includes all Major scales, but also all Minor scales together with major and minor chords. Try to listen carefully to the track while you playing and not only play random notes from the scale. This is an area that takes time to develop. It is absolutely normal, if you can't hear the chord changes. And here is one important area in lead playing: you are rewarded if you learn to hear the chord changes, which is necessary for shifting among scales during a jam track. The Mixolydian mode is not idealism for using over the whole track, but for over a specific chord. One alternative scale for blues is the Mixolydian mode. You can, for example, play certain scales over certain chords, which will give you more possibilities. The suggested scales are considered the main alternative, but there are more choices that you can use to develop the richness of your playing. Try to play in the direction the tones lead you. Don't focus all that much on fingerings, the risk is that you play scale patterns instead of "real" music. These abilities will improve as you continue to play scales together with backing tracks. The rest is about creativity and the ability to create melodies and rhythm. ![]() The approach is to use one of several scales and simply play along with the jam track. You must not limit yourself to the suggested scales, but if you don't know how to take upon the solos and lead playing, the scale can help you out. You can be the soloist guitar by using the suggested scales. The jam tracks are music arrangements with various instruments but without a soloist guitar. This is one easy and very satisfying method to play blues without tons of experience. Suggested scales to play over the jam track: C BluesĬhords included in the jam track: N/A About using jam tracksīacking tracks, or jam tracks, and lead guitar blues is a fantastic combination. Your browser does not support the audio element.
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